Back home there is a big party scene with lots of clubs, but you never have a climax. Errorsmith also loves the city of Glasgow for their musical taste: "For us, it is the favourite city to play, possibly because of the early closing time meaning a party crowd for sure. It's very refreshing to play here," says Soundhack. Having played at the likes of Club 69 and a previous Numbers gig, the duo are familiar with the Scottish and Glasgow club scene.
"We want to release something, especially after the success of the last record," Soundhack explains, "A new and old track on each side." They don't plan too many remixes in the immediate future however and instead plan to release more of their own stuff starting with an anniversary release, one half Soundhack and one half MMM. We have been working on our Moroder tribute album and that is the main theme of what we play just now."Įrrorsmith also does a great deal for Native Instruments, helping to produce new technology: this has a clear influence on the duo's ability to remix, play live and DJ all to such a high standard. We use mainly synthesizers and our music is very disco influenced. Their live set moves this to another level as Errorsmith explains: "We have a live set that is much more than just pressing play, we have some patterns and we jam along but it's very hard to describe. They have also recently been creating a Giorgio Moroder tribute that pays homage to the Italian king of disco as well as being distinctly Smith n Hack. Smith n Hack have had success in recent years with remixes such as Easy Lee for Ricardo Villalobos and Moving Like a Train for Matthew Herbert, as well as their own Space Warrior. Errorsmith has also collaborated with Fiedel as MMM and the connection that brings them all together is the Hardwax record store in Berlin all still release their records with no help from a label other than to help distribute globally. The latter are a duo mainly based in Berlin, known for playing and producing ten years of excellent dance music, with influences that include techno, house and a healthy dose of disco.Ī lot of the duo's work has come from their individual projects as Errorsmith and Soundhack. Tonight's crowd is in for a real treat too as not only do they get the excellent Feadz they also have a live set from Smith n Hack. can you check to see that the headers are cleaned up when opening and converting an aiff file made in Peak 4.You can feel the excitement in the air of the Sub Club as it builds towards another of the immense Numbers events in these famous walls. I then tried Audacity to open and save out the files as wavs note: in Resourcerer the data appears to be gone from the converted wav files but still throws on error on XP in Lplex I am using Resourcerer on OS X to look at the resource forks Peak puts some legacy data called oVEW in the header that I suspcet doesn't get cleaned up while converting the an aiff file to a wav the 3 files that got this error message had started out as aiff files saved out from Peak 4.0 on OS X I was able to fix this last time by opening and saving out in Soundhack audio app on OS X - but the app didn't deal with the little endian microsoft wav file format - so it was garbage/noise I got an error message that 3 files have wrong header info and are 'non-canonical'
#SOUNDHACK LEGACY ISO#
I dragged the 5 files over onto the apps bat file to start rendering the iso
sneaker netted the USB stick over to a laptop running XP so I could use a command line app called Lplex - this authors music DVD's at 24/96 with a jpg title screen. I copied all 5 files to a FAT32 formatted USB stick so I converted the aiffs to wavs on OS X using various apps: AP, SoundConverter, Peak and Soundhack - you will see why I used various apps in a minute
two files were saved out as wav the other three as aiff's - for no reason just forgot to save them all as wavs
#SOUNDHACK LEGACY FULL#
I've mastered 5 pieces of music at 24/96 on OS X using Peak 4.0 (before I started using AP full time)
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